Beyond Apocalypse: ”New AI” in Film and Television
AI Summary: In "Representing the New AI in Film and Television," Graham Allen addresses the divide between the technical aspects of artificial intelligence and the cultural narratives surrounding it, proposing that films and television serve as complex thought experiments on themes such as consciousness and personhood. He introduces a taxonomy of seven narrative templates that extend beyond traditional dystopian and utopian frameworks, identifying Mary Shelley's "Frankenstein" as a foundational text for modern AI narratives, which he interprets through a Levinasian lens as a tragedy of "failed hospitality." Allen applies this analytical framework to contemporary films, illustrating how narratives of romance and identity in works like "Ex Machina" and "Her" reflect and reshape societal understandings of AI. His analysis emphasizes that the portrayal of AI is not merely a reflection of technological concerns but is deeply intertwined with ethical and social considerations.